Falling in love and having a relationship are two different things.
Artists are losing the choice to use film. People have a love for it -- the grain, how it feels, the texture.
The acting experience and the collaborating and creating the world, working on the piece, they're the same joys.
I always felt a bit alone and isolated from other people...I did a lot of pretending as a child. It was my way of coping with the fact that I didn't feel like I fit in.
A good date is when you are intoxicated with each other's company and everything becomes good in the world.
Our dreams can teach us, instruct us, confuse us... sometimes I think they look to be considered. And in terms of like, they are an opportunity and I think they most certainly could be utilized to focus, to try and achieve -- whether it's looking for someone, or influencing us, or inspiring us.
It's easy to become very self-critical when you're an actor. Then you get critiqued by the critics. Whether you agree with them or not, people are passing judgment on you.
But I did 'Bill and Ted's Excellent Adventure.' They made a cereal out of it, so once you've had a cereal, it doesn't get much more surreal than that. Surreal cereal.
So many people have that relationship. The companionship. The connection. To our -- to other beings, our pets. I hate to call them pets. But you know, to other creatures that we share our lives with.
Sometimes we get so caught up in our daily lives that we forget to take the time out to enjoy the beauty in life. It's like we're zombies. Look up and take your headphones out. Say Hi to someone you see and maybe give a hug to someone who looks like they're hurting.
If you have been brutally broken, but still have the courage to be gentle to other living beings, then you're a badass with the heart of an angel.
I don't know any real jiu-jitsu or judo or anything. I do movie kung fu. With that, you can fake a punch, but you can't really fake a judo throw. You can get help from the person who you're throwing because they can kind of launch themselves.
I had the classic 40 meltdown, I did. It's embarrassing. It was pretty funny. But then I recovered. To me, it was like a second adolescence. Hormonally, my body was changing, my mind was changing, and so my relationship to myself and the world around me came to this assault of finiteness.
I mean, I went to a Catholic boys school for a year, but that was to play hockey. Religion class was quite contentious for me.
The serialization through the Internet or through digital portals, means of ways of communicating, and I think that's great.
I like writing songs. I like the camarderie of the and. I like touring. I love playing bass. And then there's free beer.
Environmental issues are on everyone's mind. It's part of our culture now and I can only applaud and laud anyone who is doing what they can and raising awareness.
You're playing and you think everything is going fine. Then one thing goes wrong. And then another. And another. You try to fight back, but the harder you fight, the deeper you sink. Until you can't move... you can't breathe... because you're in over your head. Like quicksand.
I wish I could say something classy and inspirational, but that just wouldn't be our style. ... Pain heals. Chicks dig scars. Glory... lasts forever.
I am waiting for the right story to tell. Just like 'Man of Tai Chi' just seemed to be the right story to tell. So I'm looking for that. Because I really love directing. I love developing the story. I love actors. I love the cinema of it, the way that you tell a story visually.
Eventually, it came to this place like, I'd like to direct, but I need to find the story to tell. Man of Tai Chi became the story to tell.
Hallelujah! Amen! Christianity is so inherent in western story-telling, you can't really get around it. But it wasn't something that drew me to it more or less.
A relationship is an imaginative act, it's an act of creation. Someone said to me the other day that a relationship between a person and a kid is unconditional; but the relationship between adults, to each other, is conditional, in a sense. But that condition can be the best kind.
I do think there must be some kind of interaction between your living life and the life that goes on from here.
Life and art had a nice parallel, in the sense of coming together as strangers who are separate in prison who need to work together, getting to know each other.
I went with an exorcist for a bit. I just want to know really practical things, like how do you hold someone possessed by the devil.
One of the aspects I like about the film is that there is a kind of emotional, psychological discussion during the storytelling, ... Before taking a drug, go through yourself, experience yourself, all your hopes and fears in your own time. Before the pharmacology, do the psychology.
John Wick does different techniques. Everything is available to him. There isn't one way of working a weapon. I like the reload with the flick going outside. That movement of getting rid of the magazine is to go sideways with it.
I have definitely been curious and involved in the process; even as a young actor. I was always looking at where the camera was, what story it was telling. And as my experience grew, I wanted to know even more.
I mean really wonderful. In teaching. Personal epiphanies. About life. About different perspectives-help with different perspectives that you have. You know what I mean? Relationships to nature. Relationships with the self. With other people. With events.
The inspiration really comes first from the character and the story. That vision of what the story is, and what the character is, the world that they inhabit and what the story wants to tell. That's really what inspires me.
Tattoos are interesting, but at the same time they are also a mask -- you are exhibiting your past life on your body.
I guess living without love, without experiencing it or being able to give it is pretty strong punishment.
You have to change your life if you're not happy, and wake up if things aren't going the way you want.
I dream of a day where I walk down the street and hear people talk about morality, sustainability and philosophy instead of the Kardashians.
Energy can't be created or destroyed, and energy flows. It must be in a direction, with some kind of internal, emotive, spiritual direction. It must have some effect somewhere.
I mean, I went to a Catholic boys' school for a year, but that was to play hockey. Religion class was quite contentious for me.
I had the classic 40 meltdown. I did. It's embarrassing. It was pretty funny. But then I recovered. To me, it was like a second adolescence. Hormonally, my body was changing, my mind was changing, and so my relationship to myself and the world around me came to this assault of finiteness.
But I think we're also just talking about the literacy of the audience. The visual literacy of the audience. They've seen so many images now, especially here in the States. There's so much to look at, to watch. So the visual storytelling literacy is harder to impress.
I don't know the law, the kind of law of quantity and quality, but I think the opportunity of people being able to express themselves and to have the means of production is a great thing. It's also changing how we're telling stories.
How do people relate to movies now, when they're on portable devices or streaming them? It's not as much about going to the movies. That experience has changed.
I was always interested -- I mean, it's kind of part of your job -- I was always interested in the camera.
You know what, I'd done an interview show when I was like 16 or 17. One of my first jobs. I did interviews for this television show in Toronto.
But, you know, it's still a drag to get your picture taken when you're eating a sandwich. It's a downer.
Kissing someone is pretty intimate, actually very intimate, and your heart always kind of skips a beat before you do that.
And of course to work with Jack Nicholson and Diane Keaton, and work with a wonderful, beautiful script directed by Nancy Meyers, it was really for me a dream come true.
I've been pleased to work with so many wonderful stars through the years. This has been an amazing journey. I hope it continues.
The whole aspect of cinema and film festivals should be a moment to come together and celebrate art and humanity. It would be a shame if there was such a divide.
Sometimes when you make a film you can go away for three months and then come back and live your life. But this struck a much deeper chord. I don't have the ability yet to speak about it in an objective.
Basically it starts with four months of training, just basic stretching, kicking and punching. Then you come to the choreography and getting ready to put the dance together.
I loved the material when I first read it, and the experience of making the film was a great one. So when we came around to complete the trilogy, I just signed on board without even reading the scripts because the experience of the first film was so good.
Here comes 40. I'm feeling my age and I've ordered the Ferrari. I'm going to get the whole mid-life crisis package.
Eventually, it came to this place like, 'I'd like to direct, but I need to find the story to tell.' 'Man of Tai Chi' became the story to tell.
I've been really fortunate to be able to do different kinds of films in different scales, different genres, different kinds of roles, and that is important to me.
It's the journey of self, I guess. You start with this kind of loner, outside guy, which a lot of people can relate to, and he goes out into the world.
I think the form, the Hollywood movie, I think the quality is obviously always going to be there and I think that the question of taste, there's always a question of taste.
I'm not a photographer, so I didn't get into F-stops or ND filters or background, foreground, cross-light, all that stuff. But I was interested in the camera and the lenses. That's the world that I'm moving in, in terms of acting and giving a performance.
On a good night, I get underwear, bras, and hotel-room keys thrown onstage... You start to think that you're Tom Jones.
Money doesn't mean anything to me. I've made a lot of money, but I want to enjoy life and not stress myself building my bank account. I give lots away and live simply, mostly out of a suitcase in hotels. We all know that good health is much more important.
'Speed' and 'Point Break' were a lot of running and jumping, and then 'The Matrix Trilogy' had a lot of fights and wire work and green screen elements.
I mean, if you didn't get it or if you didn't feel like you enjoyed it, sometimes that experience can change.
The truth is often terrifying, which I think is one of the motifs of Larry and Andrew's cinema. The cost of knowledge is an important theme. In the second and third films, they explore the consequences of Neo's choice to know the truth. It's a beautiful, beautiful story.
Because we're actors we can pretend and fake it, but I'd rather the intimate investment was authentic.
People were saying that David Geffen and I had gotten married and it just blew me away. Not that they thought I was gay, but that they thought I could land a guy that hot.
I think -- I don't know, maybe it's nostalgia. But the choice, losing the choice to be able to use film is going to be -- it's gone. It's going to be gone.
When we talk about how movies used to be made, it was over 100 years of film, literal, physical film, with emulsion, that we would expose to light and we would get pictures.
You want to play another kind of character in another genre, and it's been something I've been trying to do if I can in the career so far, and it's something I hope to continue because it's interesting to me and you get to do different things as an actor.
It's always wonderful to get to know women, with the mystery and the joy and the depth. If you can make a woman laugh, you're seeing the most beautiful thing on God's Earth.
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